
For more than 35 years, Yussuf Mume Saleh has walked out from the walls that surround the ancient Ethiopian city of Harar for a nightly, solitary ritual of communion between man and beast.
Filmmaker Jessica Beshir has now made a beautiful short documentary, Hairat, that captures the relationship between Saleh and the spotted hyenas that he has spent a lifetime with. The Atlantic has more:
For Jessica Beshir, a filmmaker who grew up in Harar, visions of Saleh and the delicately-cultivated bond he shares with these wild—and often dangerous—animals are embedded in her childhood nostalgia. “It was like going to see a magical play,” Beshir told The Atlantic in a recent interview. “I was hypnotized by the relationship between these uncanny lovers.”
Years later, Beshir decided to track down Harar and capture Saleh’s otherworldly ritual with the predators on film. Her short documentary, Hairat, shot in haunting black and white, depicts Saleh dangling meat scraps into the darkness. Like gods from the underworld, the hyenas emerge and accept Saleh’s offerings. It’s a rarely seen communion with the natural world, captured in cinematic poetry.
“One night, on my way to film Abba Yussuf, I met a young poet, Elias Shagiz Adonay Tesfaye, who spoke to me about love and heartbreak,” Beshir said. As the filmmaker and the poet zigzagged the labyrinth of the walled city, Tesfaye began reciting his poetry. “The dichotomy of love and fear informed the film’s rhythm and black-and-white aesthetics,” Beshir said.
In an interview before the film premiered at the Sundance Film Festival, Beshir explained that she wanted her documentary to “feel like a poem.” She has more than succeeded. Take a few minutes and see for yourself.
I look forward to watching the entire documentary, thanks for sharing this.
I became fascinated with hyenas years ago, while reading “Cry of the Kalahari,” by Mark and Dehlia Owens.
Garry and I will pursue a screening.